“Afterbirth” is the twelfth episode of the first season of the television series American Horror Story and the season finale, which premiered on FX on December 21, 2011. The episode was written by Jessica Sharzer and directed by Bradley Buecker. Due to a very aggressive production schedule it was previously announced that the show’s first season would be cut short. This was the last episode to feature the Harmons
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. Murphy announced that a new cast will return for the second season.
In the aftermath of family tragedy, Ben (Dylan McDermott) tries to take his child out of the Murder House. Meanwhile, Violet (Taissa Farmiga) and Vivien (Connie Britton) accustom themselves to their new living arrangements, Constance (Jessica Lange) raises Tate’s child as her own and a new family buys the house. Kate Mara and Charles S. Dutton guest star as Hayden McClaine and Detective Granger Karen Millen Outlet.
The episode was well received by the majority of television critics and viewership and ratings for the episode reached a season high with 3 karen millen christmas.22 million. It garnered a 1.7 rating in the 18–49 demographic, according to Nielsen Media Research. This episode is rated TV-MA (LSV).
In Boston, after Vivien (Connie Britton) catches Ben (Dylan McDermott) cheating on her, he begs for her forgiveness, and says he would do anything to save their marriage. This includes getting out of Boston and relocating to a different city. He shows her pictures of a great house in an older district of Los Angeles, claiming Vivien loves old houses. He tells her the price of the house is strangely lower than those around it, and that it would be a great place for the family to start over.
Days after Vivien’s death, Ben attempts to find Violet (Taissa Farmiga) in the house. He goes to see Constance (Jessica Lange), who has been taking care of the baby since Vivien’s death. He discovers that she is Tate’s mother, argues with her, and threatens her before leaving with the child. Back at the house, Moira (Frances Conroy) reminds Vivien that she can show herself to Ben at will, allowing Vivien to ease his sadness, but Vivien notes she’d rather not give Ben reason to stay.
Ben starts drinking and plans to commit suicide, but Vivien appears to stop him. He then reconciles with Vivien and Violet’s ghosts, who encourage him to take the child and start a new life away from the house. Before he can leave, Hayden (Kate Mara), with the help of Dallas and Fiona, hangs him from a chandelier, killing him and making it appear like a suicide. Hayden takes the baby, but Constance reclaims the baby with Travis’ (Michael Graziadei) assistance. Later, she tells the police that she found Ben after he hanged himself and that Violet must have run off with the baby.
Moira explains that while some ghosts in the house only wish for the living to suffer the same fates they did, other ghosts are innocent and do not wish to see any more bloodshed. The Harmons realize the house is a danger to those living in it and resolve to protect future residents by scaring them away. Both of Moira’s ghostly forms (Conroy and Alexandra Breckenridge) and other ghosts, including nurse Gladys (Celia Finkelstein)
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, Beau (Sam Kinsey), the exterminator (W. Earl Brown), and the Black Dahlia (Mena Suvari), join the Harmons to protect the Ramoses, a new family that moved in, against malicious ghosts.
Meanwhile, Tate, still in love with Violet, is concerned that she is lonely. He attempts to kill Gabriel (Brennan Mejia), thinking he might be a better boyfriend for Violet, but she stops Tate, and gives him a goodbye kiss, allowing the boy to escape. Gabriel and his family flee the home, while the Harmons happily watch them drive off.
Tate seeks counsel from Ben, who wants nothing to do with him. Tate finally takes responsibility for his actions and apologizes, before asking for Ben’s friendship,
In the basement, Vivien discovers that the other twin had actually lived for a brief moment before dying, and its ghost is being taken care of by Nora (Lily Rabe), who finds that she does not have the constitution to be a caring mother and returns the baby to Vivien. Vivien asks Moira to join their family as the baby’s godmother, which she happily accepts. Together, as one happy family, they all celebrate Christmas by decorating a tree in the abandoned house with various ornaments found in the attic. Watching from outside, Hayden tells Tate that Violet will never forgive him for what he did and that he should get over her, but he resolves to wait for her “forever”.
Constance returns home from the hairdresser to find that her grandson Michael has killed his nanny. She smiles and remarks, “Now what am I going to do with you?” as Michael gleefully smiles back, while swinging back and forth in his rocking chair.
What you saw in the finale was the end of the Harmon house. The second season of the show will be a brand-new home or building to haunt. Just like this year, every season of this show will have a beginning, middle and end. [The second season] won’t be in L.A. It will obviously be in America, but in a completely different locale.”
The episode was written by consulting producer Jessica Sharzer and directed by Bradley Buecker. Due to a “very aggressive” production schedule and the series’ pilot shoot having to wait for co-creators Ryan Murphy and Brad Falchuk’s other show, Glee, to wrap its second season production, it was announced that the show’s first season finale would be thirty minutes shorter than planned. An option was given to Murphy by the network to drop the thirteenth episode altogether and air an hour-long finale, but Murphy came up with a plan for a ninety-minute episode.
After the episode aired, Murphy spoke of his plans to change the cast and location for the second season. He did say, however, that some actors who starred in the first season would be returning. “The people that are coming back will be playing completely different characters, creatures, monsters, etc. [The Harmons] stories are done. People who are coming back will be playing entirely new characters,” he announced.
In an interview with Entertainment Weekly, Murphy commented on the structure of the series’ first season. “I loved how it began. I loved it in the middle and I loved the end. The only thing really frustrating for me, to be honest with you, is that sometimes people would write this idea that we were making it up as we went along and I wanted to say, ‘Really?’ But I think now people are writing and saying, ‘Oh yeah!’ I’m excited for people to see it on DVD, because now that they know how it ended, [they can] go back and see all of the little things, like people who have no reflections in mirrors. When you go back, you will see everything was set up.” When asked if the House “pulled” the Harmons to it, Murphy responded: “I don’t know if they were targeted. I don’t think the Internet site had any supernatural pull to it…although that would have been hilarious. I thought it was two things: it was house porn because I think that house really is extraordinary. And also I think there’s always that allure in American lives of the fresh start, moving West, starting fresh.”
In its original American broadcast, “Afterbirth” was seen by an estimated 3.22 million household viewers and earned a 1.7 rating share among adults aged 18–49, according to Nielsen Media Research, its highest numbers of the season. The first season tied with the TNT series Falling Skies as the biggest new cable series of the year among adults 18-49.
James Queally from The Star-Ledger commented about the season and its finale: “After a wildly uneven first nine episodes… and two red-hot episodes leading up to the finale… “Afterbirth” starts out flying high at the way too fast pace that has made American Horror Story an enjoyable ride these past two weeks. But somewhere in the final 30 minutes of this episode, “Afterbirth” turns into a wandering epilogue.” Todd VanDerWerff of The A.V. Club stated: “Part of the fun of those early episodes – even when I really didn’t like them – was that you never quite had a good sense of what the hell kind of show you were watching. The finale sticks us into what seems to be a pretty basic setup for season two.” Tim Stack of Entertainment Weekly called “Afterbirth” “an exhilarating shocker.” Matt Fowler at IGN gave the episode a score eight out of ten, signifying a “great” rating. He stated: “”Afterbirth” was a very odd finale and I’m pretty sure that it was nothing like most of us thought it would be.”
The Horror Writers Association gave “Afterbirth” the 2011 Bram Stoker Award for Superior Achievement in a Screenplay.